Filmando a musica : uma interpretação do cinema de François Girard / To film the music

AUTOR(ES)
DATA DE PUBLICAÇÃO

2006

RESUMO

This thesis proposes an analysis of the film/music relationship through discussions at the interface between Musicology and Film Theory. The chosen subject is François Girard?s film Thirty-two short films about Glenn Gould (1993). A specific approach is required in order to study the music in this film because of the musical world interpreted here by Girard. The idea is to show how Girard gives a cinematic reading of Glenn Gould?s aesthetical position and, through this reflection, to provide a contribution to the field of Film Music. The theoretical support for this thesis comprises a number of influential authors on music and cinema theory, with focus on Michel Chion?s phenomenological orientation

ASSUNTO(S)

musica no cinema film music music musica cinema - canada

ACESSO AO ARTIGO

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