Objeto e instalação : itinerarios de criação e compreensão em artes plasticas

AUTOR(ES)
DATA DE PUBLICAÇÃO

2004

RESUMO

Object and installation – itineraries of creation and understanding in plastic arts – is presented as an inquiry on artistic making and its consequent theorization that allows the critical appreciation of plastic arts in contemporaneousness. We initiate the study considering that contemporary art processes a disruption with traditional categories, promoting an increasing contamination among the plastic languages, embracing other places of knowledge in its construction, adopting new technologies, generating, thus, new formal modalities. We work with the hypothesis that object and installation categories are presented as new possibilities of plastic production, demanding new operational concepts for its artistic construction as for its process of critical understanding. It has for objective to demonstrate theoretically that Brazilian contemporary art, in the modalities object and installation, possesses a consistent formularization, allowing diverse artists to appropriate of its concepts and to develop personal poetics, constituting a production of possible evaluation and interrelation with other disciplines instruments, approaching art to other fields of knowledge. Our intention is to inquire how these modalities present in the expositions and divulgation circuits of contemporary art in Triângulo Mineiro e Alto Paranaíba, MG, and how it can be conceptualized from its configuration, distinction and or contamination, that is, appropriations, transformations and adjustments in its dialogue with the environment, with other plastic languages and with other places of the knowledge. This inquiry will be made by sampling: understanding the process of creation and production of two artists who had participated in the project Panorama – 1998: Produção Plástico/Visual, realized by the Secretaria Municipal de Cultura de Uberlândia, MG. The research is justified when locating, in time and in a determined accomplishment space, threedimensional objects and installations in art, turning itself toward a plastic production, through its process of creation and the process of understanding the work of art in its cultural circuit.

ASSUNTO(S)

criação artistica pos-modernismo artes plasticas modernidade

ACESSO AO ARTIGO

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