Brazilian Popular Music Discourse
Mostrando 1-12 de 13 artigos, teses e dissertações.
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1. Adoniran Barbosa : nem trabalho, nem malandragem / Adoniran Barbosa : neither work nor truancy
This dissertation proposes an extended treatment on the aesthetic and thematic features of songs by Adoniran Barbosa, mainly in his lyrics, which led to interest of cultural agents in the rescue of the "authentic" samba, throughout the process of redefinition of MPB (Brazilian Popular Music), from the 60?s to the late 70?s. In order to do so, the song lyrics
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 24/02/2012
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2. A canção e a cidade: estudo dialógico-discursivo da canção popular brasileira e seu papel na constituição do imaginário na cidade de São Paulo na primeira metade do século XX / The song and the city: dialogical discursive study of brasilian popular music and its role in the constitution of the imagery of the city of São Paulo in the first half of the twentieth century
Em virtude de a canção popular brasileira ser uma importante representação de nossa cultura, muitas pesquisas vêm sendo realizadas com o intuito de investigar, analisar e até avaliar nosso cancioneiro. Nesse contexto, esta tese apresenta um estudo dialógico-discursivo do gênero canção popular brasileira e de seu papel na formação do imaginário d
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 25/03/2011
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3. É o meu parecer: a censura política à música de protesto nos anos de chumbo do regime militar do Brasil (1969-1974)
Esta Dissertação de Mestrado está vinculada à Linha de Pesquisa: História Regional, do Programa de Pós-Graduação em História da Universidade Federal da Paraíba, o qual tem como Área de Concentração: História e Cultura Histórica. Nossa pesquisa teve como objetivo analisar, sobretudo, o uso da censura política sobre a música de protesto durant
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 20/10/2010
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4. The disourse of and about women in the Brazilian erotic funk : a proposal from analysis of the feminine sexuality / O discurso da e sobre a mulher no funk brasileiro de cunho erotico : uma proposta de analise do universo sexual feminino
The present work aims to reflect upon the participation of the woman in the Brazilian funk focusing on a branch of this movement which songs express a high level of eroticism. For this task, I take into account the theoretical analytic conception of Discourse Analysis of the French School, Foucault s studies of sexuality as well as Bakhtin s approach about t
Publicado em: 2009
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5. Discursive ethos and enunciation scenes in brazilian original country music / Ethos discursivo e cenas de enunciação em letras de música de raiz
The real meaning of the Brazilian original country musics lyrics leads us to a culture full of traditions, habits and social values, the rural culture that comes from a mix of Indian, European and African cultures. By the lyrics discourse, we get to know also the ideology and the ethos of the country man, representing a social group that contributes to the n
Publicado em: 2008
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6. As canções de Luiz Gonzaga sob o olhar da análise crítica do discurso (ACD).
Luiz Gonzaga has become one of the most important composers and interpreters of Brazilian popular music of his time. His voice, his clothing, his particular way of talking and his intonation made him become a great national symbol, a representative of a regional identity. Luiz Gonzaga is considered one of the most active men who spread out culture, costumes
Publicado em: 2008
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7. CaracterizaÃÃo discursiva da Bossa Nova no discurso literomusical brasileiro / Discursive Characterization of Bossa Nova in the Brazilian Popular Music Discourse
In this research; we investigate the main discursive characteristics of the Movement called Bossa Nova in the Brazilian Popular Music discourse in the music of JoÃo Gilberto; AntÃnio Carlos Jobim; VinÃcius de Moraes; Roberto Menescal; Carlos Lyra; Ronaldo BÃscoli and Newton MendonÃa; Our theoretical support is the one of the French Discourse Analysis, a
Publicado em: 2007
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8. Música dos espaços: paisagem sonora do Nordeste no movimento armorial
This work exams the presence of music in the imaginary constitution of spaces, taking as studys object part of the musical production of the Armorial Movement, officially casted in 1970 in the city of Recife, Pernambuco. From that so called, by the Armorials discourse, the essence of the brazilian northeastern popular art, the armorialists has intended to ma
Publicado em: 2007
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9. The Arrangement as an Organic Element Linked to the Brazilian Popular Song: a proposal of semiotic analysis / O arranjo como elemento orgânico ligado à canção popular brasileira: uma proposta de análise semiótica
Based on the semiotic, in the studies which were carried out by Mikhail Bakhtin about the assumption of the discourse of someone else and mainly on the theory created by Luiz Augusto de Moraes Tatit (The Semiotic of the Song), the thesis The Arrangement as an Organic Element Linked to the Brazilian Popular Song: a proposal of semiotic analysis has as its mai
Publicado em: 2007
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10. A construÃÃo identitÃria regional pelas topografias discursivas das canÃÃes do "Pessoal do CearÃ" / The construction of the regional identification by discursive topograpies of the songs of "Pessoal do CearÃ"
In this research, we propose to investigate a discursive regional position with all kinds of investments attached to it. Therefore, we took as a basis Maingueneau (1997, 2001, 2004, 2005), a French line discourse annalist, and Costa (2001), who applies the most general concepts of positioning and investment to the literary. The concepts of discursive positio
Publicado em: 2007
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11. Música popular: janela-espelho entre o Brasil e o mundo
This is a study on brazilian popular music in the years 1958-68, a time when songwriters who would later become public intellectuals started their careers. Three song styles are considered: bossa nova, national-popular and tropicalist. Three paradigmatic types of discourse are conceived, in order to place song authors response to the dilemma of being musical
Publicado em: 2007
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12. Discurso e atuação de quatro grupos musicais da região do mangue.
In this dissertation, the reader will be introduced to the phenomenon consisting of three music groups from Aracaju and one group from Recife, Brasil, who are developing a musical hybridization based on local and regional elements on the one hand and transnational elements on the other; they are Sulanca, Naurêa, Maria Scombona e Chico Science e Nação Zumb
Publicado em: 2007