Censorship To The Theater
Mostrando 1-9 de 9 artigos, teses e dissertações.
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1. Ó TEMPOS! Ó SAUDADES! MACHADO DE ASSIS ESPECTADOR DE TEATRO
Resumo Machado de Assis foi espectador de teatro na corte do Segundo Reinado, registrando tal atividade na forma de crônicas, folhetins, pareceres para censura, contos e romances. Sua atuação como crítico contribuiu com a ampla campanha intelectual de formação de público, que o escritor abandonou em seguida, mostrando-se decepcionado com os rumos da d
Machado Assis Linha. Publicado em: 2019-04
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2. O Rei da Vela e o Oficina (1967-1982): censura e dramaturgia / O Rei da Vela and the Oficina (1967-1982): censorship and dramaturgy
This thesis presents a case study of the play O Rei da Vela, written by Oswald de Andrade in the 1930s, and first staged in 1967, by the Oficina group. The objective of this research was to understand through documents, depositions and literature, what this event meant to the issue of censorship and freedom of expression in Brazil. For this, we tried to unde
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 28/09/2011
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3. Fernando Peixoto como crítico teatral na imprensa alternativa : jornais Opinião (1973-1975) e Movimento (1975-1979)
The present work has as objective to analyze the trajectory of the actor and Brazilian director Fernando Peixoto, as teatral critic, in the alternative press, specifically, in two periodic ones: Opinião, between 1973 and 1975, and Movimento, between 1975 and 1979. We search to understand the character differentiated of the alternative press during the perio
Publicado em: 2008
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4. The theatrical production of São Paulo in the 1980s / A produção teatral paulistana dos anos 1980: rabiscando com faca o chão da história: tempo de contar os prejuízos em percursão de andança
This analysis focus on the theater made for adults in the city of São Paulo, Brazil, between the years of 1980 and 1990. Until now many researchers think that this was a lost decade in the theater realm, because they do not recognize the immense aesthetic value of the Brazilian drama in this period. Nevertheless, based on an extended documentation and state
Publicado em: 2008
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5. Estratégias poéticas em tempos de Ditadura: a experiência do grupo experimental de dança de Salvador - BA
The consolidation of the theatrical dance in Salvador (1956-1962) is associated with the formation of three representative groups: the Contemporary Dance of the Dance School of the University of Bahia, the folkloric dance of the Folkloric group Viva Bahia and the Classical Ballet of the Ballet School of Castro Alves Theater. During the period of dictatorship
Publicado em: 2008
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6. Miroel Silveira Archives: an interpretation of government previous censorship over the theater from the perspective of the information management / Arquivo Miroel Silveira: uma leitura dos processos da censura prévia ao teatro sob o prisma do gerenciamento de informações
Esta pesquisa propõe a análise da censura prévia exercida pelo Estado sobre o teatro, a partir dos documentos existentes nos prontuários que compõem o Arquivo Miroel Silveira, sob o prisma do gerenciamento de informações. Verificamos que o exercício do gerenciamento de informações costuma ser apresentado como atividade planejada, técnica, racional
Publicado em: 2007
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7. Dialogues between past and present: " calabar, o elogio da traição" (1973) of chico buarque and ruy guerra / Diálogos entre passado e presente : "Calabar, o elogio da traição (1973) de Chico Buarque e Ruy Guerra
This researches has as it basic proposal the reading of the theatrical text "Calabar O Elogio da Traição", woven between 1972 and 1973, by Chico Buarque and Ruy Guerra , from three points of view: the creative process, the allegoric representations of the reality and the confrontation with the Federal Censorship. This triple reading is going to establish,
Publicado em: 2007
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8. Dialogues between past and present: " calabar, o elogio da traiÃÃo" (1973) of chico buarque and ruy guerra / DiÃlogos entre passado e presente : "Calabar, o elogio da traiÃÃoâ (1973) de Chico Buarque e Ruy Guerra
This researches has as it basic proposal the reading of the theatrical text "Calabar â O Elogio da TraiÃÃo", woven between 1972 and 1973, by Chico Buarque and Ruy Guerra , from three points of view: the creative process, the allegoric representations of the reality and the confrontation with the Federal Censorship. This triple reading is going to establis
Publicado em: 2007
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9. A velhice e o envelhecimento do ator: entre o palco e os bastidores
This essay looks trough the process of how an actor deals with his own oldness, precisely in the city of São Paulo, in between 1948/49/50 by the time theater (TBC ), radio (Tupi / Diffused ), movie (Vera Cruz ) and television (TV Tupi) connection and the 2006. At the first chapter, the reasons take took the author to choose these theme will be exposed, foll
Publicado em: 2007