History Of Brazilian Theatre
Mostrando 1-12 de 13 artigos, teses e dissertações.
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1. Geschichte, Geschichten und Mythen in Dea Lohers Olgas Raum
Abstract Over the past few decades, Germany's division and subsequent unification have altered he way the country's history is understood, with Eastern and Western narratives needing to merge into a new master narrative. The different accounts of the life and death of the Jewish-German communist Olga Benario, partner of the Brazilian freedom fighter, Luis Ca
Pandaemonium ger.. Publicado em: 2016-12
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2. A (in)desejada transgressão: uma história social do ensino superior de teatro no Brasil / The (un) desired transgression: a social history of the theatres higher education of Brazil.
A pesquisa parte da premissa defendida por Adorno, Brecht, e muitos outros pensadores críticos da sociedade burguesa, de que a Educação e o Teatro não devem limitar sua atuação à esfera da adaptação, ou seja, à reprodução mecânica das condições existentes em seu tempo e lugar. O Teatro e a Educação detêm, assim, uma importante função soci
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 06/05/2011
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3. Theatre in groups trajectories and relationships: impressions of a visitor / Teatro de grupo trajetórias e relações: impressões de uma visitante
This research paper aims to investigate the structure and relationships within existing and stable theatre groups. This paper analyses 5 groups established in the early 1990 s, having a body of work of considerable importance both at the local and national level. The groups under consideration are based in the south and south-east regions of Brazil: Cia Caro
Publicado em: 2010
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4. HAMLET: RUPTURA DA LINEARIDADE DRMÁTICA E CORPOS EM REDE NA CENA DE ENRIQUE DIAZ. / Ensaio.Hamlet: ruptura da linearidade dramática e corpos em rede na cena de Enrique Diaz
The current study contributes to the analysis of the constructing process of the contemporaneous scene, by verifying the work by Enrique Diaz (director Cia. dos Atores), focusing on his work called Ensaio.Hamlet. This study also establishes considerations on new theatre/drama methods which do not agree with the conventional drama standard, by examining how c
Publicado em: 2009
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5. Ecos dos sermões: a paixão segundo todos os homens, de Wilson Rio Apa, em Florianópolis
Pela presente dissertação analiso o trabalho de teatro desenvolvido por Wilson Rio Apa e sua Família, em Florianópolis, com especial atenção ao espetáculo A PAIXÃO Segundo Todos Os Homens, realizado na Lagoa da Conceição e Praias dos Ingleses e do Santinho, no período compreendido entre 1977 e 1987, e as conseqüências do trabalho por ele desenvo
Publicado em: 2009
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6. O Pagador de Promessas: um drama trágico em tempos modernos
This work aims at a critical and interpretative analyses of Dias Gomes dramatic work, the focus of investigation being placed on the social drama O Pagador de Promessas. The theoretical basis for this study departs from the concept of tragedy in the philosophical and literary tradition, considering Aristotles propositions and his comments on the Greek traged
Publicado em: 2009
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7. A aurora do autor: como se fez e se faz a dramaturgia de Naum alves de Souza / A aurora do autor: como se fez e se faz a dramaturgia de Naum alves de Souza
This research has two different intentions: to observe how the dramatic authorial writing develops when building an analytic scenery of Naum Alves de Souzas dramatic art work, being him one of the most advantageous and exuberant professionals of contemporary Brazilian theatre. To reach that goal, the reading of his plays (performed or not) and other of the a
Publicado em: 2008
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8. The theatrical production of São Paulo in the 1980s / A produção teatral paulistana dos anos 1980: rabiscando com faca o chão da história: tempo de contar os prejuízos em percursão de andança
This analysis focus on the theater made for adults in the city of São Paulo, Brazil, between the years of 1980 and 1990. Until now many researchers think that this was a lost decade in the theater realm, because they do not recognize the immense aesthetic value of the Brazilian drama in this period. Nevertheless, based on an extended documentation and state
Publicado em: 2008
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9. Ibsen in Brazil: historiography, selection of critical texts and bibliographical catalogue / Ibsen no Brasil: historiografia, seleção de textos críticos e catálogo bibliográfico
This work, composed of three volumes (I. Historiography; II. Selection of critical texts; and III. Bibliographical catalogue), presents an overview of the reception of Ibsen in Brazil. The first volume is an assessment of the rich and varied criticism Ibsen received in Brazil within the context of the theatrical ideas of the nineteenth century, the moderniza
Publicado em: 2007
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10. Vereda da SalvaÃÃo e Terra para Rose: interfaces entre a escritura documental no teatro e no cinema
This study has set out to investigate the documental form of the drama text Vereda da SalvaÃÃo (1957-63) by Jorge Andrade and the film Terra para Rose (1987) by Tetà Moraes. The existing proximity between the aesthetics construction of both works allows the establishment of relation-ships between them, considering that, although they make part of distinct
Publicado em: 2007
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11. THE POETIC THEATRE OF CECÍLIA MEIRELES / O TEATRO POÉTICO DE CECÍLIA MEIRELES
This work is about symbolic theatre; it is a research in whish I analise the theatre of Cecília Meireles, in order to study two plays of her. I d found these plays in the Archive-Museum of Literature´ of the House of Rui Barbosa Foundation. The two plays of Cecília, O Jardim (The Garden) and Ás de Ouros, belongs to the so called poetic theatre of her. My
Publicado em: 2006
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12. BLOOD, GUTS, CHARACTERS AND MOVIE A GLANCE AT JOSÉ MOJICA MARINS TERROR / SANGUE, TRIPAS, LETRAS E PELÍCULA UM OLHAR SOBRE O TERROR EM JOSÉ MOJICA MARINS
This dissertation reads the horror in the film maker`s José Mojica Marins work. The unstable condition and the uncommon career of this dammed film maker in the history of the Brazilian movie industry passes as a compulsory evanescence logic, where the director was forced to explore new fields: text, television, radio and, more recently, the Internet, in ord
Publicado em: 2003