Musical Texture
Mostrando 1-12 de 12 artigos, teses e dissertações.
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1. Trio Marítimo de Almeida Prado : subsídios para interpretação / Trio Marítimo by Almeida Prado : subsidies for performance
The main objective of this dissertation is an analytical study of the structure and forms employed in the Trio Marítimo for violin, cello and piano by Almeida Prado. Based on this study and interviews with the composer, suggestions of interpretation are presented. These suggestions are based on the composer s compositional technique called Transtonalism, th
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 06/07/2011
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2. As práticas de reelaboração musical / The Practices of musical re-elaboration
Este trabalho tem como principal objetivo realizar um estudo das práticas de reelaboração musical relacionadas aqui como: transcrição, orquestração, redução, arranjo, adaptação e paráfrase, promovendo um resgate de sua valorização e estimulando sua expansão. Para isso, serão abordadas questões teóricas, históricas e estéticas acerca dessa
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 29/04/2011
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3. Linhas, vozes e tracks : a textura na composição musical de crianças
Esta pesquisa aborda a composição musical coletiva, acústica e eletrônica, de estudantes de música com idades entre 10 e 12 anos. Tem como objetivo analisar as diversas manifestações envolvendo a textura musical, destacando o modo como se vinculam à noção de tempo e aos processos de inferência que subsidiam a atividade da criação musical. Os suj
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2011
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4. Uma concepção musical para as Impressões Sinfônicas Festas das Igrejas, do compositor Francisco Mignone. O uso da Hermenêutica do ponto de vista da Regência.
In this work, we will present a musical conception of the Impressões Sinfônicas Festa das Igrejas (Symphonic Impressions Churches Party), by the composer Francisco Mignone. The interpretive aspect is the main focus of this study, so we will highlight some of the many intrinsic musical components of the score, indicating interpretation possibilities based o
Publicado em: 2008
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5. Em torno da romã: aplicações de operações com contornos na composição.
Contours can be understood as the shape or format of a object. In Music contour can represent a parameter in function of another, like pitch in function of density or density in function of amplitude. Contours are important because, as well as pitch sets and motives, they can help giving coherence to a musical piece. Theories of contours have been used in ar
Publicado em: 2008
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6. Olivier Messiaen : inter-relação entre conjuntos, textura, ritimica e movimento em peças para piano / Olivier Messiaen : inter-relation between sets, texture, rhythm and movement in piano pieces
This work proposes an association between musical analysis techniques developed during the twentieth and the twenty-first centuries and the musical theory concepts presented by Olivier Messiaen in his Technique de mon langage musical (Messiaen 1944a and 1944b) and Traité de Rythme, de Couleur, et d Ornithologie (Messiaen 1994a, 1994b and 1994c), first, seco
Publicado em: 2008
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7. Questoes estruturais e interpretativas na obra pianistica de Ricardo Tacuchian / Structural aspects and interpretation of the piano works by Ricardo Tacuchian
This dissertation is based on complete piano works by the composer Ricardo Tacuchian (1939). These pieces are divided into three phases - National phase (1960s), experimental phase (1970s), and postmodern phase (since 80 to present days). The main objectives of the dissertation are: (1) contribute to bibliography of twentieth and twenty-first century music (
Publicado em: 2007
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8. Oswaldo de Souza : uma analise poetico-musical de suas canções para canto e piano / Oswaldo de Souza
This work presents possibi1ities of perfonnance for the songs by Oswa1do de Souza (1904-1995), composer born in Rio Grande do Norte, Brazil. It inc1udes the ana1ysis of 18 songs (original melodies), containing various musical and poetic aspects, such as: meter and tempo, key, vocal range, fonn and phrase structure, rhythm structure, texture, harmony, dynamic
Publicado em: 2005
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9. Villa-Lobos compositional processes, a theoretic guide / Processos composicionais de Villa-Lobos : um guia teorico
This work aims to explore the compositional aspects of Villa-Lobos music, searching his process, techinics and procedures. A great deal of importance was given to the points of contact between Villa-Lobos and his contemporaries as Debussy, Stravinsky, Schoenberg, Varèse and Bartók. Therefore, a huge amount of works was analysed, written for several instr
Publicado em: 2005
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10. A elaboração de arranjos de canções populares para violão solo
The Elaboration of Popular Songs Arrangements for Solo Guitar. The aim of this work is to establish the necessary procedures for the elaboration of popular songs arrangements for solo guitar, descnoing fi a clear and detailed way alI the process involved, ttom the choice of the repertoire which best fits the language of the instrument, to the treatment given
Publicado em: 2003
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11. A relação texto-musica nas canções religiosas de Almeida Prado
The main objective of this Master s Thesis is to study the text/music relations - with special attention to the piano part - of the religious art songs of the Brazilian composer José Antônio Rezende de Almeida Prado. The texts of these songs are either Biblical, Roman Catholic Church Prayers, or texts and prayers written by Saints. To achieve this objectiv
Publicado em: 1996
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12. O livro das duas meninas de Almeida Prado : uma outra leitura
This paper has started from the eighteen pieces called Livro das Duas Meninas, of the Brasilian composer Almeida Prado. It develops one first approach with micro, middle and macroanalysis of musical structures. So, it is possible to understand the composer s language and the general organization in the aspects of pitch, rythm, dynamic, timbre and texture. At
Publicado em: 1995